There are many ways to admire Bono. There are also, unfortunately, many ways to find him absolutely insufferable.
Take the sainted moment when he hoisted the arms of John Hume and David Trimble aloft like a spiritual referee declaring a draw in the heavyweight bout of history. It was meant to symbolise reconciliation. Instead, it looked suspiciously like a man inserting himself into the final frame of a photograph he did not personally develop. Hume and Trimble did the grinding, unglamorous, politically suicidal work of peace. Bono did the stadium lighting. There’s a difference. Yet somehow the image calcified into cultural memory as though the Good Friday Agreement had been brokered backstage between encores.
Then there’s the music. Yes, yes, global anthems, soaring choruses, stadium transcendence. But here’s a simple pub test: can you whistle one? Not hum vaguely. Not chant the hook after three pints. Whistle it cleanly, recognisably, without sounding like a kettle boiling. Try it. “With or Without You.” “One.” Go on. It’s all atmosphere and earnestness, crescendos and echo — emotionally freighted, melodically elusive. The songs don’t so much lodge in your ear as loom over it. For a band so monumentally successful, there’s something oddly un-whistleable about the catalogue. The soundtrack of a generation, apparently, but not of a casual stroll.
And then, of course, the wealth. Bono the tireless campaigner against global poverty, jetting between summits to lecture billionaires about moral obligation — while being one himself. The optics are dizzying. Few people begrudge success, and fewer still would deny that he has leveraged fame for causes beyond album sales. But there is something faintly operatic about lamenting inequality from the balcony of immense fortune. When sermons about redistribution are delivered by someone whose own portfolio could fund a small republic, the cognitive dissonance hums louder than any guitar riff.
None of this erases the philanthropy, the activism, the decades of influence. But it does explain the eye-rolling. Bono doesn’t just occupy the stage; he occupies every moral horizon within a five-mile radius. And sometimes — just sometimes — people would like the spotlight to rest somewhere else.


I have never liked U2’s music much less their politics. On the national question they (or he?) have always been what they are. Free Staters. A bit like Geldof. Of course we do see/hear them every December, Feed The World and all that. Which I don’t mind. Did Bono fly his favourite hat first class across the Atlantic? He’d have been better off using a plane. Boom boom. The old joke is good though about his mental problems. Every time he goes on stage he is close to the edge.
Collins, a question….
You know those great Irish human rights activists, Bono and Geldof, the ones who relentlessly attacked over the years the IRA, ETA, PLO etc as terrorists, the guys who were welcomed and given honours by Bush and Thatcher et al in the inner sanctums of the American and British establishments, do you believe their bona fides
Have you ever read any criticism by either of the Jewish lobby, Aipac, the Israeli defence forces, the IDF, or the mass slaughter of Gazans …other than a sort of generic condemnation of inhumanity?
Don’t answer…it’s a rhetorical question…
We both know the UK knight, Sir Bob, and Bush’s buddy Bono (was he awarded a Congressions Medal?) have been suitably partisan in ensuring they stayed well safe in the bosom of those with the power and the big bucks.
Dave Fanning (look him up) should maybe look himself in the mirror.
The title of your article is “Another Bono recording…” apparently a reference to the U2 EP “Days of Ash”, released on Ash Wednesday 18th February. Yet there is not one reference to the EP in the body of your article.
Have you listened to the five songs and one poem on the EP? Have you read the lyrics of the songs and read the words of the poem? Are you aware of the people and events that influenced the songs on the EP? Are you aware of the other artists who contributed to the EP? Are you aware of the organisations who will share the profits of the EP? Apparently not.